And although one of the things I get most excited about in museums is when I see famous artworks that I've learned about in classes- this is mostly going to be focused on a million new things I saw.
And we're starting at the North Carolina Art Museum
And it's the longest post ever- so feel free to just skim through and look at the pictures.
Guess what medium this is. Photography? Wrong. Oil on canvas. Wowsa. The guy's got the most talent with details that I've ever seen.
Ben Burns- Swamp Mallows |
This may have been one of my favorites. It's a collage of a bunch of things taken out of trash cans- like liquor bottle caps and gum wrappers. And they are all linked together as a sort of- even though we all live different lives, there are stories of people's whole lives that these pieces of junk have been a little part of. And then he links them all together. And it's huge.
El Anatsui- Lines that Link Humanity |
As I was reading descriptions of paintings and artists statements, a lot of them were influenced by this guy- and then I found one of his works and I can see why. Holy color and movement and just beauty through simplicity.
Gerhard Richter- Station |
Alexamdar Archipenko- Blue Dancer |
Page H. Laughlin- Untitled (Mirror, Mirror) |
Alison Saar- Tippy Toes |
Hi. This is made of spools of thread. That's all.
Devorah Sperber- After the Mona Lisa 2 |
Really powerful piece. My favorite of all his sculptures for sure. Caryatids are columns in the shape of women- in case you didn't know and were confused by his title. This one stuck me as the heartbreaking story of being crushed by expectations and no longer being able to pretend to be strong. It's like, even columns made of stone can't keep it together all the time, so it's okay if we humans must break down occasionally.
Auguste Rodin- Fallen Caryatid with a Stone |
Guido Reni- Madonna and Child |
Giuseppe Mazzuoli- Deposed Christ |
Few can match the emotion I felt when I saw Turner's Slave Ship in person. That longing to stand in front of a picture and cry and stare and feel until the museum people kick you out.
Well, I'm surprised to say that Rothko entered that level. Before seeing it in person I wasn't a fan of the simple color blocks. I mean really. But I still had the respect for him that I held for all expressionists just because I knew the time period it came out of. For those of you who don't- right after World War II...artists were sick of all the gore and reality and gruesome violence they were living in- instead they wanted to show beauty, but this could not be shown through anything happening in the world, so they went back to the basics of color and shape to show emotion. Rothko describes his style by saying something along the lines of- it's not meant to be looked at and and commented about the beautiful colors he uses, it's to be looked at and wept over. If you do not feel emotion while looking at it- you do not understand. But really you can never feel the emotion until you are standing right in front of it. No picture does justice.
Mark Rothko |
Jackson Polluck |
Interesting and well done-probably inspired by Picasso. It's like you get to see her multiple personalities at once and you get to see her from different angles all at once.
Jean Metzinger- Woman with a Fan |
Franz Marc- The Bewitched Mill |
Gigantic painting that I don't understand but still fall in love with.
Francis Picabia- Edtaonisl (Ecclesiastic) |
Usually not a fan of the Monets...but this one was cool. Because I am a fan of his gardens and I am a fan of painterly art and I do think he's a classic that made art discoveries that changed art, and I do love vague details making up a realistic looking whole
Claude Monet |
And there's something exciting about walking into a room full of Monet's studies.
Speaking of little details creating an amazing whole...I thought this would be cool. But then it was cooler.
George Seurat- Sunday in the Park |
Claude Monet- Cliff Walk at Pourville |
Didn't catch the artist or name- but this is a blind flower girl right before the volcano that will destroy her whole city of Pompeii. She has no idea.
And then they had a whole Lichtenstein exhibit- which I loved. I like how he takes modern day objects and magnifies them and glorifies them to the level of art as if to say that every little thing has an element of art in it.
Uhhh...she reminds me of Angie from Baby Mama "Not to be dramatic, but I'd rather shoot myself in the face than eat this stupid food."
Okay I'm done. Longest post ever?
You Liked the Swamp Mallows painting too? Wonderous work. I'm glad you blogged about it, for the ages.
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